tokina vista prime 18mm

Fast T1.5 lenses with sensor coverage well beyond full frame. WARNING: The K-35 lens is slightly softer and has less contrast compared to modern lenses, but it is sharper and provides more contrast than other vintage lenses. Having such a massive image coverage gives you peace of mind that you are buying something that is fairly future proof (if there is such a thing).

Copyright 2022 Berger Brothers. You can purchase cine converted Canon K-35 18mm T1.5 lenses, but they are hard to find and expensive. This weight constantly had me in a love-hate relationship with the 18mm T1.5.

puhlmann lomo The front element is huge and bulbous, but its protected by the lens casing. Size-wise it is significantly larger than the other Vista series lenses, and it dwarfs the 35mm T1.5 It weighs in at a whopping5.9lb / 2.68kg. FREE SHIPPING ON ORDERS OVER $49

For more information and inquiries about Tokina Cinema lenses visit Tokina Cinema WEB site. I had to crop in 400% on a purposely overexposed UHD image to see it. The K-35 also has quite a lot of breathing, and it isnt as sharp compared to the Tokina. mkii tokina 135mm As the lenses are made in Japan this is probably why there are so many markings. The lens comes in PL mount, Sony E-Mount, MFT, and Canon EF-mount. ALSO AVAILABLE IN LPL, MFT, PL, SONY E MOUNTS. Craft images with more control in challenging lighting conditions. Learn more: Privacy Policy, Copyright 2022 Markertek, Division of Tower Products Incorporated, Availability: This item is currently out of stock we will ship it the minute we receive it. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording. 85mm T1.5 The lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. The iris and focus rings are well weighted and their operation is smooth. The lens features three aspherical elements and it has 9 aperture blades. 3039 Roswell St. Los Angeles, CA 90065, Open Monday Friday 9:00am 6:00pm PT. High resolution modern optics featuring free form design for visual acuity matching the human eye. As far as perspective distortion goes the lens will stretch faces that are close to the lens, especially when used on full frame sensors. Optical Design 17 Elements in 14 Groups Filter Thread None notice a need for , I have been a professional wedding and portrait The mounts arent swappable.

Keep your subject right where you left it with our virtually zero breathing optical design. Markings on both sides of the lens barrel make it readable from either side of the camera. But the more perfect you try to make a lens, the more lens elements you need to use in the optical formula. In saying that, it is considerably cheaper than an 18mm T1.8 ARRI Signature Prime lens ($29,700 USD). Consult this section for complete information on warranty coverage and limitations. Cancer and Reproductive Harm - www.P65Warnings.ca.gov, To deliver the best personalized experience, our site uses cookies.

What look you actually prefer from a lens is entirely going to come down to personal choice. These revolutionary lenses feature a hige 46.7mm image circale, making these lensese compatible with nearly every motion picture camera sensor on the market including VistaVision format. They are also color matched for consistency across the range. tokina t1 newsshooter tokina 18mm Certain prime and zoom lenses work better together than others. Precision and versatility for the future. 105mm T1.5. Utilizing the XLR input, the Tentacle Sync Tentacle to LEMO 5-pin cable Cable to connect any Tentacle Sync box to a device that uses a standard LEMO 5-pin connector. Ultra sharp with nearly zero image breathing during focus puls.

Distortion is well controlled on the Tokina and it only exhibits very slight barrel distortion where lines appear curved inwards. Above you can see a few quick tests with the 18mm wide openfilming a human face that was very close to the lens. The lens is big and its heavy and you really do need to take those factors into account if you want to purchase one. Being a lens from the 70s it also doesnt have modern day coatings. For me, personally, I found that I was shooing a lot more shots with a wide angle by actually getting closer to my subject rather than moving away from it, which is traditionally what you do with a very wide lens. Making a lens that is this wide and this fast, with minimal focus breathing, that covers an image circle of 46.7mm is quite an engineering feat. If you do happen to own an S35 camera system that can utilize a speed booster then you would be able to take full advantage of the 18mm T1.5. Front Diameter 114 mm Advanced Search | As you can see in my tests above, sharpness does improve as you stop the lens down, but the difference between when the lens is set at T1.5 and T5.6 isnt as huge as you may think. The 18mm T1.5 Vista Cinema is a bit of an enigma. This section is dedicated to Tokina Ambassadors, presenting their profiles, activities and successful photographic works. The Tokina 18mm T1.5 Vista Cinema Prime Lens is the fastest full frame 18mm wide angle lens on the market that covers VistaVision sensors. High resolution modern optics featuring free form design for visual acuity matching the human eye. Being able to focus this closely allows you to get some pretty creative and interesting shots, especially with wide open apertures. No, its not, but boy once you have used it you wont want to give it back. 35mm T1.5 Lunchbox Audio.

The front filter diameter is 114mm like all the other Tokina Cinema Vista lenses, but due to the optical design, it doesnt have a 112mm filter thread like its other siblings. Precision and versatility for the future. 25mm T1.5 It features a maximum T stop of 1.5, useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth-of-field look.

However, unintentional errors may occur. Cinematography is your art, ours is technology. A site for working professionals in the TV & Film industry, FeelWorld Live Stream 15.6/17.3/21.5 HD Broadcast Director Monitors, T1.5 with very limited to no chromatic aberration. Minimum Focus Distance From : 17.7" / 45.0 cm There certainly are a lot of markings and some cinematographers or camera assistants may think there are too many. As soon as you stop down to even T2, what tiny bit of chromatic aberration there was, completely disappeared. Matthew has won 43 ACS Awards, including four prestigious Golden Tripods. Iris Blades 9 This allows me to use a combination of zooms and primes while still maintaining a fairly consistent look. As far as direct competition goes, Zeiss and Schneider are the only other companies that make a new 18mm cinema prime lens that costs below $10,000 USD. There is a lot of competition in the full frame cinema prime marketplace. 2022 Birns & Sawyer - Film Equipment Rentals in Los Angeles, CA. 46.7mm image circle of good definition, the image circle of light is almost 59mm in diameter and will cover the ARRI Alexa65 in 5K mode. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording. These lenses were used on many large sets such as Aliens(1986) and American Hustle (2013). The K-35 lenses were manufactured by Canon during the 1970s and 80s and won an Academy Award in 1976. Cinematography is your art, ours is technology. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. In saying that, it still does a pretty impressive job on human faces for a wide angle lens being used so close to a subject. This is an 18mm focal length lens, and it shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses.

document.getElementById("copyright_year").innerHTML = new Date().getFullYear(); VISTA PRIME T1.5 B E Y O N D F U L L F R A M E TOKINA VISTA PRIME LENSES High resolution modern optics featuring free form design for visual acuity matching the human eye. Markings on both sides of the lens barrel make it readable from either side of the camera. Expedited delivery and alternative options may be available. Ultra sharp with nearly zero image breathing during focus pulls. Please note that the vignette you are seeing on the Sony a7 III is because I am using a mechanical PL to E-mount adapter. Fast and wide is not something that usually gets mentioned in the same sentence, but this combination lets you create very unique shots. It doesnt show any signs of pincushion distortion, which is the exact opposite of barrel distortion, wherelines appear to curve outwards. Tokina official pages on Facebook, YouTube and Instragram. I found that the lens allowed me to come up with interesting ways of using a wide angle that I previously didnt think was possible. 18mm may not be that wide on an S35 sensor, but it certainly is on a full frame sensor. Being as heavy as the lens is, its probably a good idea to use a lens support, especially when using a version of the lens that isnt a PL mount. This cable is suitable for Arri Alexa, RED One, Sound Devices, Tokina Cinema Vista Prime 40mm T1.5 Camera Lens, Tokina Cinema Vista 16-28mm T3.0 MKII Zoom Lense, Ultimate Support JS-KC90 Medium Duty Transport Cart, Ultimate Support JS-KC80 Light Duty Transport Cart, Tentacle Sync Tentacle to ALEXA MINI cable, Tentacle Sync Tentacle to and from XLR cable, Tentacle Sync Tentacle to and from LEMO 5-pin cable, Tokina Cinema Vista PL Mount and Shim Kit, Fast T1.5 T stop, good for low light filming, Very pleasing character across the Iris range and usable wide open, Use of aspherical elements and modern coatings, nicely corrected image, exceptionally low chromatic abberations, Image circle of 46.7mm covers FF35, VistaVision and Red Dragon 8K VV, Clearly marked focus and iris scales on both sides of the lenses, Consistent 114mm front outer diameter, good for efficient matte box use, Lenses also featyre a 112mm screw-in filter size (Excluding Vista 18mm), Consistent length of lenses, good for quick lens changes, Consistent length of lens during focus pull, swing away matte box stays put, 9 bladed iris for rounded bokeh aesthetic, Robust construction materials, good for long-term use and ownership. To put that weight into perspective, the Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 weighs 6.4 lb / 2.9 kg. $334 for 24 months.

There is a built-in lens support adapter that takes a 1/4-20 thread. View cart for details. Even ARRIs new Signature Primes only go to T1.8. Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. Every stop you go down equates to an increase in price, weight, size, and complexity. I wanted to see how much perspective distortion there was in the center of the frame and out towards the edges. Box Dimensions (LxWxH) 11.4 x 8.2 x 6.9", Children are one of the most popular subjects for photography especially during , The more i practice landscape photography, the more I New Tokina 18mm T1.5 Vista Cinema Prime Lens (PL Mount, Feet), - eBay Money Back Guarantee - opens in a new window or tab. The general design idea is to capture a wide FOV, and slowly bend the rays towards the image plane, minimizing steep refraction angles at the optical surfaces. Tokina original products are covered by warranty. - for PayPal Credit, opens in a new window or tab, Learn more about earning points with eBay Mastercard, - eBay Return policy - opens in a new tab or window, - eBay Money Back Guarantee - opens in a new tab or window. However, both the Zeiss CP.3 18mm Compact Prime T2.9 and the Schneider Xenon 18mm T2.4 are considerably slower. Craft images with more control in challenging lighting conditions. California Residents: You do need to take into account though that it is far cheaper and easier to make an 18mm T2.8 lens compared to a T1.5 one. To get the most benefit out of this lens given its high price it really does make more sense to use it on a full frame digital cinema camera, or a camera system that can utilize a speed booster. This is a private listing and your identity will not be disclosed to anyone except the seller. Minimum purchase required. Copyright 1995-2022 eBay Inc. All Rights Reserved. {"modules":["unloadOptimization","bandwidthDetection"],"unloadOptimization":{"browsers":{"Firefox":true,"Chrome":true}},"bandwidthDetection":{"url":"https://ir.ebaystatic.com/cr/v/c1/thirtysevens.jpg","maxViews":4,"imgSize":37,"expiry":300000,"timeout":250}}. Even then it was barely visible.

Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. Investing in a full frame lens is going to cost you a lot more money than buying one that just covers S35 sensors, and you need to factor that in when considering what to buy. Fast T1.5 T stop, good for low light filming, Very pleasing image character across the Iris range and usable wide open, Use of aspherical elements and modern coatings, nicely corrected image, exceptionally low chromatic abberations, Image circle of 46.7mm covers FF35, VistaVision and Red Dragon 8K VV, Clearly marked focus and iris scales on both sides of the lenses, Consistent 114mm front outer diameter, good for efficient matte box use, Lenses also feature a 112mm screw-in filter size (excluding Vista 18mm), Consistent length of lenses, good for quick lens changes, Consistent length of lens during focus pull, swing away matte box stays put, 9 bladed Iris for rounded bokeh aesthetic, Robust construction materials, good for long term use and ownership. Image Circle 46.7 mm Its great to see a set of lenses with a very fast and consistent T1.5 aperture. Featuring High resolution modern optics with free form design for visual acuity matching the human eye. Find here the complete distributors list and contacts. The outside of the lens casing is hard metal and while it has been designed in a matte black finish to avoid light reflecting off it, it is susceptible to marks and scratches. These revolutionarys new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including VistaVision format. Making an 18mm full frame T2.8 lens is far easier and cheaper than making a T1.5 one. This makes on-set lens changes a fast and efficient operation. The iris also produces a pleasing bokeh, referring to natural-looking out-of-focus areas of the image. The minimum focusing distance of the 18mm T1.5 is0.45m (17.7) which is reasonably good for a wide lens like this. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. To overcome these hurdles manufacturers require more sophisticated designs, exotic materials, and more expensive engineering. The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. It has special attention in its design to air gaps and multi aspheres, giving it the visual acuity of the human eye; it looks more natural than any other lens for large format. This is an 18mm focal length lens, and it shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. In saying that you can also get excellent results with this lens on an S35 digital cinema camera as well. Packaging Info 50mm T1.5 As a comparison, the Zeiss 18mm T2.9 CP.3s minimum focusing distance is 0.3 m (12). The lens barrel features approximately 300 of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. Too often wide angle lenses are used just for getting a shot, instead of being used in more creative ways. In this section you can also share your best shots with the Tokina community. Length 7.17" / 182 mm MFG #: TO-KPC-3004PL. At T1.5 you can create shots that arent possible using the majority of other wide angle lenses that are on the market. This lack of chromatic aberration at T1.5 on such a wide lens is extremely impressive. TheSchneider Xenon18mm T2.4 is also lighter at 1.49lb /3.3 lbs and cheaper with a retail price of$6,300 USD. The flares you do get are very pleasing and they certainly do give the lens some character. The 18mm T1.5 Vista Cinema has clearly marked focus and iris scales on both sides of the lenses. The focus rotation is 300 degrees, which is great if you are using a follow focus, but if you are pulling focus by hand you will find it difficult going from the minimum focus to the maximum focus point. At 2.68kg, the 18mm T1.5 is a heavy, heavy piece of glass and in that regard, it feels very solidly made. Focal Length 18mm

Refresh your browser window to try again. What will work for you will also depend on what camera you are using. That is a lot of money to pay for a prime lens no matter which way you look at it. The 18mm T1.5 is hardly a cheap lens and retails for $7,499 USD. The ability to have something in the foreground in focus and everything else out of focus, or conversely your foreground completely out of focus while the background is in focus makes this lens a very powerful creative tool. The lens has almost no chromatic aberration, but I did find that when used at T1.5 there was a tiny, tiny bit, but its extremely difficult to see unless you are cropping in massively on your images. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. I really liked the warmer tones of the Tokina lenses as I found the color reproduction matched very well with my Angenieux Optimo Style zooms. The color tone of a lens is really something you should look at closely if you are going to be using both prime and zoom lenses from different manufacturers. The markings are easy to read and can be seen on both sides of the lens.

Sitemap 7

mountain warehouse shorts